(City and Landscapes) Bulfinch, USA; (Paesaggi) Contrasto, Italy; Birla House, India documents a visibly shocked Prime Minister of India, Jawaharlal Nehru, announcing the death of Mahatma Gandhi to the crowd outside his home. The improvements in camera technology allowed for such images to be made and this progress is celebrated in Cartier-Bresson's photographs. As I mentioned earlier in the introduction of this article that many people have … 1996 Carnets mexicains de Henri Cartier-Bresson – Centre National de la Photographie, Walker Evans & Manuel Alvarez Bravo – Julien Levy Gallery, New York, USA; Henri Cartier-Bresson Cartier-Bresson’s black-and-white photos are among the most iconic in photography, including his powerful images of some of the major political moments in the 20th century. It was an extremely challenging shot for Cartier-Bresson who never used a flash. Paris, France; Villa Comunale, Milano, Italy; Kunsthalle Köln, Germany Hyde Park, London - Henri Cartier-Bresson (Black and White Photography), 1938. Gelatin Silver Photograph - National Gallery of Victoria, Melbourne, Australia. The combination of architectural elements and the blurry image of the biker emphasize movement through their spirals, curves, and slight distortion. Juvisy depicts two couples picnicking on the banks of the Marne river on a warm summer's day, a scene that had become almost ubiquitous in Impressionist paintings. The play itself seems completely incongruous with the set. Cartier-Bresson's early exposure to and education in painting heavily informed the way he viewed the world and conceived of photographic composition. Bulfinch, USA; (Henri Cartier-Bresson Seine Kunst Sein Leben) His wife, Mohini, who was friends with the ill-fated Indian Prime Minister's sister, had arranged for Cartier-Bresson to meet with Gandhi in his compound. 1984/85 Photographs by Henri Cartier-Bresson from Mexico, 1934 and 1963 – This photograph captures a group of children playing in the rubble in Seville, Spain. The group stands in for the millions of Chinese citizens who queued up throughout the country. Paris, France Giacometti, no more demonstrative than his sculpted companions, carries yet a smaller sculpture whilst clenching a cigarette between his teeth. Life magazine sent Cartier-Bresson to China to document the civil war and unrest that accompanied the political transition from the Chinese National Party, Kuomintang, to Communist rule under Mao Zedong and the People's Liberation Army. (The portraits of Henri Cartier-Bresson) Thames & Hudson, UK Henri Cartier-Bresson was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. Thames & Hudson, UK; Federico Motta Editore, Italy 1998 Tête à Tête, Gallimard, France; Thames & Hudson, UK; Chicago, USA; Carnegie Institute, Pittsburgh, USA; Virginia Museum of Fine Arts, Scottish National Gallery Edinburgh, UK Framed by the empty, bombed-out section of a wall, the children interact joyfully and uninhibitedly among the ruins and desolation, in a space that is profoundly unchildlike. Cartier-Bresson photographed the taping of a T.V. Silver Gelatin. Finland New York, relying on the centuries old painting trope of "a picture within a picture," presents three separate stories in a single image. In this portrait of his friend, the Swiss painter and sculptor, Alberto Giacometti, taken in the Maeght Gallery, the artist unconsciously mimics the subjects of his own work. ), La Guilde du Livre, Lau… On the Place Du Tertre, Montmartre, Paris, 1952 - Henri Cartier-Bresson . Cartier-Bresson received an extraordinary number of prizes, awards, and honorary doctorates. Open tweet, [DANS LA BIBLIOTHÈQUE DE LA FONDATION HCB] International Center of Photography, New York, USA 1969/70 Southern Exposures, 22′, color Cast off and ordinary, in the context of this image, juxtaposed with the mysterious male torso, there is no logic to their inclusion in the composition. ©2021 The Art Story Foundation. Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. 1980 Henri Cartier-Bresson: 300 photographies de 1927 à 1980 – Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. 1957/60 Henri Cartier-Bresson: The Decisive Moment (same exhibition than in 1955/56) – After three years he had spent travelling in the East, in 1952, he returned to Europe, where he published his first book. The Leica allowed the photographer to interact with the surroundings and to… In order to avoid being detected, he painted the shiny parts of his Leica black so as not to draw attention to himself. This photo reveals Cartier-Bresson's witty side. Anti-Graphic Photography – Julien Levy Gallery, New York, USA; But as it turns out, this photo we all know was taken more or less by accident. As a photographer in the Realist tradition, he imbues the image with his own humanist sensibility, combining social commentary with his own striking sense of candor. There is something Christ-like in the crossed arms, conveying suffering or conversely, a peculiar sort of intimate, self-embracing. Taking pride in capturing “the decisive moment,“ Cartier-Bresson intimately captured portraits and scenes, both mundane and historic, around the world. Hayward Gallery, London, UK; Le Botanique, Bruxelles, Belgium; Cartier-Bresson photographed the taping of a T.V. 1970 Henri Cartier-Bresson: En France – Galeries nationales du Grand Palais, Paris It became so iconic that TIME Magazine proclaimed it one of the 100 most influential photos of all time. Henri Cartier-Bresson is a name like no other when it comes to street photography. The erotic nature of this work, captures the "convulsive beauty" espoused by Surrealist leader, Andre Breton. Place de l'Europe is one of Cartier-Bresson's most successful images. 1969 Les Français, éditions Rencontre, Switzerland His photographs were known all over the world and in France his name was synonymous to photography itself. Open tweet, Bringing together decades worth of assignments Henri Cartier-Bresson's book shows the rich diversity of the USA capturing all walks of American life, Taken prisoner of war in 1940, he escaped on his third attempt in 1943 and subsequently joined an underground organization to assist prisoners and escapees. In 1945, he photographed the liberation of Paris with a group of professional journalists and then filmed the documentary. He travelled around the world capturing scenes and telling stories with his images. And never did he combine the two better than on the day in 1932 when he pointed his Leica camera through a fence behind Paris’ Saint-Lazare train station. UK; Bulfinch, USA; Schirmer & Mosel, Germany Gelatin Silver Print - Henri Cartier-Bresson Foundation - Paris, France. A street photographer who became a master of candid photography. 📖 “La Chine dans un Miroir”, Claude Roy (dir. The television in the foreground represents the contestant as the viewer at home sees him on their television. Thames & Hudson, UK; Viking Press, USA Hong Kong; (Visage d’Asie) éditions du Chêne, France 1975 Culture Prize (Henri Cartier-Bresson: Photographer) Bulfinch, USA; 1935 Documentary & Anti-Graphic Photography – Photographs by Cartier-Bresson France; (The World of Henri Cartier-Bresson) Viking Press, USA ), La Guilde du Livre, Lausanne, 195… A hazily-captured building in the distance contrasts with the richly ornamented, spiked fence and the two diverse elements combine in an alchemy of lines, curves, and reflections that creates the urban background for the jumper. 1966 After The Decisive Moment 1966-1967 – Asahi Shimbun, Tokyo, Japan Although HCB was, unquestionably, a key figure in the development of what would become known as street photography, his role may not have been as intentional as we sometimes like to believe. 1978 Cartier-Bresson: Archival Collection – Osaka University of Arts, Osaka 1953 A.S.M.P. 1994 Hommage to Henri Cartier-Bresson – ICP, New York, USA 1991 Henri Cartier-Bresson – Osaka University of Arts, Osaka, Japan Cartier-Bresson manages to convey his friend's characteristic nervousness at the same time that he imposes a sense of elegance on this scene: the figures move in tandem, there is a kind of partnership brought about by resemblance between the artist and his works. The big format really do merit the quality of the content. The multiple layers of both perspective and representation he creates emphasize the capacity of the camera - whether in motion or still - to manipulate the viewer and, in this instance, create varying versions of the "truth." “There was a tremendous, heavy silence,” recalled Ms. Franck, herself a photographer. Art Museum of South Texas, Corpus Christi, USA; With this image, he succeeded in capturing what the Surrealist Andre Breton described as the consummate photograph: when '"shadow and prey mingled in a unique flash. Open tweet, [PERLES DES ARCHIVES] Mid-20th Century Henri Cartier-Bresson Photography. Louisiana Museum, Copenhagen, Danmark, Art Museum Helsinki City, Helsinki, Krasné, Czechoslovakia Victoria & Albert Museum, London, UK Gruppo Editoriale Fabbri, Italy Open tweet, [PEARLS FROM THE ARCHIVES] He brought a new aesthetic and practice to photography, initiated modern photojournalism, and influenced countless followers. Cartier-Bresson's work spanned photographic genres for the entirety of his long career. Contrasto, Italy 1994 Double Regard. Place de l'Europe is one of only a few photographs that Cartier-Bresson ever chose to crop. "Henri Cartier-Bresson Artist Overview and Analysis". Thames & Hudson, UK; 1952 Images à la Sauvette, Verve, France; (The Decisive Moment) Simon & Schuster, The iconic railway served as the setting for many famous 20th-century painters such as Manet, Caillebotte, and Monet, all of whom had been influential in Cartier-Bresson's own artistic development. Kahitsukan Kyoto Museum of Contemporary Art, Kyoto, Japan 1964 Photographs by Cartier-Bresson – The Phillips Collection, Washington D.C., USA "Henri Cartier-Bresson: The Early Work," September 1, 1987–November 1, 1987. 1938 L’Espagne vivra, 43′, b&w 1955 Moscou vu par Henri Cartier-Bresson, Delpire Editeur, France; (People of Moscow) 1998/00 Henri Cartier-Bresson Portraits: Tête à Tête – National Portrait Gallery, London, 1955 Les Européens, Verve, France; (The Europeans) Simon & Schuster, USA "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25, 1993–July 4, … 1973 A propos de l’URSS, éditions du Chêne, France; (About Russia) Giacometti's angled posture echoes the slanted stances of his two most famous statues. Cartier-Bresson's taste for construction through a tight, clear system of carefully ordered forms stemmed from his art teacher, Lhote, who was a Cubist painter. Thames & Hudson, UK, Schirmer & Mosel, Germany; Cartier-Bresson was a champion of the Leica camera and one of the first photographers to maximize its capabilities. Schirmer & Mosel, Germany USA (Di chi si tratta ?) Mexico City, Mexico 1959 Prix de la Société Française de Photographie UK New York, relying on the centuries old painting trope of "a picture within a picture," presents three separate stories in a single image. Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism.Â, In 1932, after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography.Â, A Brief History of California’s Wildfires, Magnum photographers capture the landscape, Witnessing the Storming of the US Capitol, Inside the World of a Photobook Publisher, Contact Sheet Print: Plants Werner Bischof, Professional Practice Series: Developing Personal Projects, Creative Documentary and Photojournalism with Magnum Photos and Spéos, Build trust with subjects in these 17 lessons, Vintage Poster: Henri Cartier-Bresson Europeans – Hayward Gallery, 1998. Browse 506 henri cartier bresson stock photos and images available, or start a new search to explore more stock photos and images. Dotan first tried to find contact sheets of the photo. The snapshot of a man gleefully hopping over a flooded area in Paris captures the moment just before the man's heel hits the water. 1995 L’Art Sans Art, Flammarion, France; (Henri Cartier-Bresson and the Artless Art) Jusqu’à sa réouverture, la Fondation HCB propose de redécouvrir ses Perles des Archives, régu… 1982 Photo Poche, Centre National de la Photographie, France $279.11. The Museum of Modern Art, New York, USA Alexander Calder, Rox… He pioneered the genre of street photography and was a founding member of Magnum photography in 1947. 1960 Overseas Press Club of America Award On the surface, Cartier-Bresson is depicting a familiar trope from the history of art and, in particular, the recent Impressionist movement: people engaged in leisure activities in the Parisian countryside. Read more about Cartier-Bresson's life and career at Biography.com. A fragment of the fence that he is behind can be seen in the original shot and partially obscures the view. National Portrait Gallery, Washington D.C., USA Henri Cartier-Bresson, a filmmaker and co-creator of the photo agency Magnum, established photojournalism as an art form. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. You will miss some of the most remembered photos of Cartier-Bresson: the man in the bicycle and the spiral stairs, the two «voyeurs»...But there is a lot to be amaze. 1994 Paris à vue d’oeil, Le Seuil, France; (A Propos de Paris) Thames & Hudson, The dramatic lighting aids in relaying the gravity of the historic speech and the pathos of the moment: the outline of Nehru's head is illuminated while his face remains obscured by shadow; the British officer sitting next to him is similarly lit. 1981 Grand Prix National de la Photographie $18.00 shipping. 1969 Photographs by Henri Cartier-Bresson – Victoria & Albert Museum, London, UK; Gelatin Silver Print - The J. Paul Getty Museum, Los Angeles, California. The photograph is as much a document of Cartier-Bresson's sudden awareness of the historical import of the event and, moreover, of the particular moment it captures: the independence of India from British colonial rule and the tragedy of Gandhi's death. of Chicago, Chicago, USA 1975 Deutsche Gesellschaft für Photographie M.H. (Gli Europei) Peliti Associati, Italy Gelatin silver print - Museum of Modern Art, New York, New York, Hyéres, France is an example of Cartier-Bresson's commitment to a sense of geometry and order. De Menil Collection, Houston, USA Like the Surrealist painters, Cartier-Bresson's Surrealist photographs are perplexing and, in some cases, disturbing visual games intended to provoke the subconscious mind to make connections that are deeply personal. He was an early user of the 35mm filter and was known for his very unique view of photography in that he considered it as a medium to capture a ‘decisive moment’. Museo della Fotografia Storica; Torino, Italy; Kunsthalle, Düsseldorf, Germany; Italy; Circolo della Provincia, Bologna, Italy Cartier-Bresson had in fact been sent on assignment by the left-wing Paris newspaper, Ce Soir, to document the workers' movement. 1987 Henri Cartier-Bresson: The Early Work – The Museum of Modern Art, New York, On Buddhism. Gelatin Silver Print - Henri Cartier-Bresson Foundation, Paris, France, Content compiled and written by Jackie Meade, Edited and revised, with Summary and Accomplishments added by Brynn Hatton. 1985 Photoportraits, Gallimard, France; Thames & Hudson, UK, USA; The photo actually documents a busy Giacometti installing the exhibition showcasing the two celebrated sculptures, Grande Femme Debout (Large Standing Woman) and L'Homme Qui Marche (Walking Man). Museum, Hamburg, Germany; Palazzo della Societa per le belli Arti, Milano, Drawings and Photographs, Le Nyctalope, France Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} Graves Art Gallery, Sheffield, UK; City Art Gallery, York, UK; The voyeuristic nature of the photographer's vantage point - peering at the children from beyond the bombed-out wall - adds a more complex, psychological dimension to the image: the children become, in a sense, actors on a stage. Until its reopening, the Fondation HCB offers to rediscover its Pearls from the Archive… The Philadelphia Art Institute, Philadelphia, USA Cartier-Bresson was instead swept up in the Surrealist movement, inspired by the different schools of photography that were popping up around Europe in the 1920s. 1997/98 Des Européens, Le Seuil, France; (Europeans) Thames & Hudson, UK; He was influenced by his father, a respected and wealthy textile merchant and his uncle, an accomplished painter. Although Cartier-Bresson produced portraits of other successful artists of the period such as Matisse, Picasso, and Dalí, among others, he and Giacometti had been friends since the mid-1930s and enjoyed a particularly close relationship, which included a shared inexhaustible curiosity concerning the human condition. 1932. Paired with the aid of his Leica, Cartier-Bresson discovered the possibility of creating geometrical constructions in photography, structures that were enclosed within a perfect proportion (2:3) of the frame. or Best Offer. Ugo Mulas - Photography, from January 15th to April 24th 2016 Aperture, USA Thames & Hudson, UK; Viking Press, USA This photograph was never published in the newspaper, but it is now considered one of Cartier-Bresson's most classic images. National Gallery of Modern Art, New Delhi, India 1944/45 Le Retour (The Return), 32′, b&w 1983 Henri Cartier-Bresson: Ritratti 1928-1982 (Collection “I Grandi Fotografi”), USA (Man and Machine) Viking Press, USA; Thames & Hudson, UK In the text, Henri Cartier-Bresson describes his conception of photography briefly, but touching all its key aspects (color, technique, composition, sequence, etc.). 1991 Alberto Giacometti photographié par Henri Cartier-Bresson, Franco Sciardelli, I … Maison Européenne de la Photographie, Paris, France 1947 Vintage WILLIAM FAULKNER Writer Rat Terrier Dog HENRI CARTIER-BRESSON Photo. They are completely unaware that they are being observed. 1969 L’homme et la machine, commissioned by IBM, éditions du Chêne, France; The ragged edges of the white, stuccoed wall could just as easily be the very surface of the photograph tearing open and inviting the viewer to look on undiscovered. The Getty Museum, Los Angeles, USA 1955/56 Henri Cartier-Bresson: Photographies 1930-1955 – Musée des Arts Décoratifs, or Best Offer. Musée d’Art moderne de la Ville de Paris, Paris, France 1976 Selected Photographs by Henri Cartier-Bresson – The National Gallery The half-naked man who seems to be writhing free of the remainder of his clothing could be contorting himself in either agony or ecstasy - the ambiguity is what makes the image, at least in part, so deeply unsettling. – Bibliothèque Nationale de France, Paris, France; USA One thing that he is renowned for, was his work on what he calls the decisive moment. 1950 Vintage HENRI CARTIER-BRESSON Segovia Café Window Men Spain Photo Art 11x14 All Rights Reserved. 1947 HENRI CARTIER-BRESSON Vintage Los Angeles Oilfield Tower Beach Photo Art. 1908-2004 About Henri Cartier-Bresson was born in 1908 in Chanteloup, France. He photographed Gandhi literally minutes before he was assassinated, and he stayed to cover the funeral. The multiple light sources, whose beams cross one another and clash, create a kind of chaotic, layered image that evokes the confusion of that eventful moment. The Art Institute of Chicago, USA Stadtisches Museum, Leverkusen, Germany; Kunstverein München, Munich, 1972 The Face of Asia, John Weatherhill, USA & Japan; Orientations Ltd., Leonardo Arte, Italy 1974 A propos de l’URSS 1953-1974 – ICP, New York, USA The elevated vantage point of the photographer-observer, at the top of the steep riverbank, initiates a kind of cascading visual effect as he glances down at the picnickers who in turn look down toward the boat as it rests on a river mirroring the sky. Thames & Hudson, UK; Simon & Schuster, USA The spontaneity of the photo, which was captured in the bustling urban space, the Place de l'Europe outside of the busy Paris train station of Saint Lazare, epitomized the new, fast-paced environment in Europe with its trains, cars, and factories. Ordinarily, he avoided adjusting his work after originally framing a shot and instead embraced unmediated chance encounters, an aesthetic preference and practice that made him one of the founders of street photography. 1939 La Règle du Jeu (The Rules of the Game), assistant to Jean Renoir Museum of Modern Art, New York. Behind the T.V., on an elevated podium, an emcee describes the contestant's actions to home viewers and the studio audience. Henri Cartier-Bresson took many portrait pictures during his life, but his wife, Martine Franck accompanied him to just one — probably atypical — portrait session. Ateneo Club, Madrid, Spain, Bibliothèque Nationale de France, Paris, France Pavillon de Marsan, Paris, France; Kunstgewerbemuseum, Zürich, Switzerland; View Full Details. 1987 Henri Cartier-Bresson – The Early Work, The Museum of Modern Art, New York, USA